At Walead Beshy retrospective at MAMCO Geneva with Christine Palamidessi, Cindy Whittingham and Nazir Sunderji.
Unlike American films that uphold privilege, MY BROTHER IS AN ONLY CHILD explores politics, conflicts and terrorism within a Italian family and within the country itself.
Preview review by MARIE SACCOMANDO COPPOLA, for Christine Palamidessi Moore's new book The Fiddle Case.
Palamidessi Moore writes about how things are the same and different in Woodstock.
Photographer Peter Simon’s I and Eye is a terrific memoir of hippie time and ideals as they intersect with power, money, marketing and the infrastructure of capitalist gain. In particular, the last chapter calls it home: he compares freewheeling picture... Continue Reading →