Search

PALAMIDESSI ART BLOG

Category

ART

I can’t help but think we all know we are artists by the time we’re 4 or 5. We feel like outsiders, witnesses, people who respond to color, to sounds, breath, perhaps to past lives. That awareness compelled me to learn the skills–and be good at them–that I would need to create a life in the arts.

DAY 21 of 21 DAY EXPERIENCE OF WOMAN IN ABAYA

I want inner peace. I want love. I wanted the experience of being a woman in Abaya; I choose to do it for 21 days. I wore the garment as an artistic experience. I am an artist. Here's what i found out....

DAY 20 of 21 DAY EXPERIENCE OF WOMAN IN ABAYA

Abaya can be a fashion garment and some women have 30 or more abayas in their closet. Wafaa explained that women like to show off their new clothes, no matter where they live. But in Saudi Arabia, when you go out of the house, it’s not realistic to think you will have opportunity to show off your new jeans and a blouse--but you can show off your new abaya.

Day 19 of 21 Day Experience of Woman in Abaya

I spent the afternoon in Ivy Leagued Harvard Square--mostly in the Harvard College quadrangle--hoping I might get smarter by osmosis, just by strolling among the elite, the gifted, and the buildings that house extraordinary collections of books, and visiting the Out of Town Newsstand.

DAY 18 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

Boston Artists Bo Petran and Christine Palamidessi discuss their upcoming show--Wabi-Sabi, Febraury 2019-- and the intent behind the Abaya project.

DAY 17 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

During the past 16 days many people have asked why I am not covering my hair when I am wearing the abaya and the veil. I thought it might be interesting to bring in an expert: the wonderful and lovely Saudi woman who is mentoring me during the abaya project.

Day16 of 21 Day Experience of Woman in Abaya

Today I talked to Wililam DeLove, a homeless person. When I told him I was an artist experiencing 21 Days in the Abaya.  He said, "I thought you were a nun."

Day 15 of 21 Day Experience in Abaya

The Indian statue at Sunrise Park on the Mohawk Trail greets the Great Spirit and reminds us:  Love. Love. Love. Other people. Your fate. Your obstacles. Love it all. Because it’s the only way.

Day 14 of 21 Day Experience in Abaya

Beauty is glad to come and go freely at the Corning Museum of Glass in Elmira, New York

Day 13 of 21 Day Experience in Abaya

DAY 12 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

Since today is the anniversary of the Saudi Arabia's royal decree allowing the government to issue drivers license to women, and I'm in Watkins Glen (car racing capital) , it is also a good day to  pay tribute to a woman’s right to drive her own car; say what she needs to say; stand up for herself and her country.

Day 11 of 21 Day Experience of Woman in Abaya

A busload of Chinese tourists at a Massachusetts rest stop were trying so hard to buy chicken nuggets and hamburgers and I decided to help them out with pictures and sign language.

Day 10 of 21 Day Experience of Woman in Abaya

Not many people know much about Muslim women and their garments. Most of us think it is an ancient way to dress. In fact it is not. The outfit I am wearing, and the full black ‘cage’ is a new fashion in Middle East. Prior to the late 70s, early 80s women were not required to wear the body covering garment. They might wear head covering as simple as a scarf and dressed modestly.  The change came when the religious fundamental cleric class made the laws regarding women’s clothing.

Day 9 of 21 Day Experience of Woman in Abaya

During my subway ride, a woman stared at me as if i were an insect. When I got up to leave she followed my movement out with her eyes and even turned around and looked at me through the window as the train pulled away, as if she wanted to be sure I was gone.

DAY 8 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA- Logistics

Today, at the subway station, had to deal with the logistics of wearing abaya--like how to keep hem clean, how not to get it caught in the elevator steps and how to hold onto the veil when its slip sliding off the head.

DAY 7 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

Our instincts push us towards the comfortable.  And I think that seeking to be comfortable can be dangerous. I am an artist, and a good one. If I stayed in a comfort zone, I might be making a different kind of art, a polite art. That’s not my intention: there are enough people doing nice art. I’d rather provoke thinking rather than feeling.

DAY 6 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

You just can’t keep a girl away from her tools and her power of observation. It's really hitting home that people don’t pay much attention to what’s going on around them. I suppose this human condition is what criminals, terrorists, and cheaters count on: operating in the realm of other’s unawareness.

DAY 5 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

I went to an Open House for a $2.4 million Cambridge property near Harvard University. The back page of the 10-page brochure that the agents handed out to visitors featured a quote from T.S. Eliot “Home is Where One Starts From.” I wore my abaya.

DAY 4 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA.

When a woman in an Abaya is seen on the street with a man let’s assume everyone figures he is related to her and that the man is Muslim...and if he is Muslim, he is the person who has requested his wife, daughter, sister cover her body in public.

Day 3 of 21 Day Experience of Woman in Abaya

I stated Day 3 feeling a bit like an interloper until two women said "excuse me" in Arabic as they brushed past me and their polite, expressed respect, and kindness made me cowgirl-up, shifting my mood.

Day 2 of 21 Day Experience of Woman in Abaya

In the market On Day 2 Woman in Abaya the artist experienced that she was not invisible, that men noticed her as a human not as a sexual object, women looked sideways at her and that most people didn't look at all since they were involved with their cell phones.

Day 1 of 21 Day Experience as Woman in Abaya

New England artist Christine Palamidessi shares experience of wearing abaya, a garment that evokes a particular sensation and mind-set, a way of looking and being looked at--owning the gaze.

Cover Art for Poetry & Poetics Journal INTERIM

“Vestal Virgin Vest #1” , cover art for INTERIM, a poetry and poetics journal, began as a plaster body cast made over a woman’s torso and from there went through a multi-layered process of becoming a 3-D sculpture that was flattened and then stitched .

JAEL KILLS SISERA

A silk-stitched monoprint , inlaid with copper, tells the story of Biblical heroine Jael who drove a tent stake through the Canaanite general Sisera's skull while he slept in her tent.

AN ARTIST SPEAKS ABOUT SELF-CENSORSHIP

Art is supposed to get people to think about what’s going on, around them. How are people going to become aware if their country's artist self-censor?

Senator Elizabeth Warren Rides the Chariot of Victory to Silence

Artist takes the reader through the steps in artistic process: going from Greek Goddess of Victory, which was an investigation of antiquity vs. modern life; to hearing news about the silencing of Senator Elizabeth Warren in the US Senate; to sewing Nike's lips shut; to dropping a black hood over the head of the goddess and exploring the silencing effect of a black hood.

ENCOMPASSING INVISIBLE ENERGIES

When I was artist-in-residence in the town of Otranto, Italy, I became intensely attracted to the Ottoman weapons (Cannonballs everywhere!) perhaps because my father and uncles had been in the armed service by the sea--Iwo Gima, Siege of Rome, Battle of Dunkirk, the Philippines-- and this combination of sensations and memories called me to make art from the weapons.

Making Sculpture from Ancient Weapon

The bombards, cast from bronze, hurled huge stone balls, weighing up to 1,500 pounds, several miles. After one shot, the barrel had to be cooled in oil to be fired again. The cooling process took over two hour and was frustratingly slow.

Casting Cannonballs from 1480 Siege of Italy

To capture the essence of war in her sculptures, artist Christine Palamidessi used weapons from the 1480 siege of Italy.

about Otranto Cannonballs SILENT.SILENCE.SILENCED. Violence and Consequent Art

It was a conceptual idea that lead the artist to cast the cannonballs form the 1480 Ottoman siege of Otranto Castle: to embrace not only the texture of the cannonball but also to capture the essence of the weapon, the energy embedded within the material, and to transfer that energy into her sculptures

5 Things to Know about Designing an Art Exhibit Post Card

Tips for making a postcard to announce your upcoming art exhibit.

Why Did She Choose Ceilbacy?

In 230 AD Christian mysticism allowed women to choose celibacy and therefore free themselves from the evil, excessive, falling-apart-chaotic era of The Roman Empire; life became an either-or choice.

THE GODS ARE UNHAPPY: DECIUS’S EDICT

In 250AD the Emperor Decius decided starvation, lack of public morality, and war was not causing problems in Rome, rather the problems had arisen because the gods had abandoned Rome. Therefore, citizens needed to demonstrate their piety by sacrificing and animal.

MENDING BROKEN HEARTS AND ART

To make the Broken Heart prints, I collapsed a 3-D heart sculpture that I made out of paper and used the collapsed heart as a collagraph plate before stitching story onto the paper with silk threads.

A FEW THINGS ABOUT VESTAL VIRGINS

While tracking down the thread of S. Vittoria, a Late Antiquity Roman saint, it helps to look at the historical and psychological aspects of the Vestal Virgins.

BREAKING FREE OF TIME AND SPACE( Following Santa Vittoria)

Time and Space disappear when following the trail of Late Antiquity woman, S. Vittoria.

Stitching on Monoprints

Taking an additional step: adding stitching thread, gold leaf and text to a mono print.

The Darker Side of the Artist’s Psyche

In- process, the artist discovers images and meaning that are not the original intent.

The Pandora Light

The Pandora Light is fashioned from sidewalk print of the Harvard Science Center.; the outside walls are painted with sea creatures, the perceived underworld; the inside is painted with images of germs, the unseen underworld.

The Prometheus Lights

The Prometheus Lights are made from sidewalk prints of the sidewalks around the Harvard University Science Center at the foot of Oxford and Kirkland Streets in Cambridge, Massachusetts.

THE PROMETHEUS MYTH : Exhibiting the Lights

Prometheus stole a gleaming ember from a sacred hearth on OYLMPUS and carried it down to earth so that humans could have fire, giving them not only warmth and safety but also the gift of science, because now they could dream and imagine.

What Goes Inside The Prometheus Light Installation to Make It Work

Wondering what goes on behind the artwork in The Prometheus Lights--carpentry, elecricity-- that holds it on the walls and lights up like the fire within us all?

more ABOUT MAKING “STREET” LIGHTS FROM SIDEWALK PRINTS

After making plaster casts of the sidewalks with fascinating patterns; sidewalks where Nobel Prize winning scientists as well as science students marched and pondered,  I let the plaster  dry in the summer sun. Plaster cures as it dries and becomes stronger,... Continue Reading →

MAKING SIDEWALK CASTS IN CAMBRIDGE MASSACHUSETTS

Cambridge artist noticed the patterns in sidewalk near Harvard University Science Center and set out to make street art from them.

Pernambuco Blue Pineapple

Wall sculpture pineapple is Sacred artistic container for the Divine, a firm-fleshed juicy Brazilian fruit, and an avatar to keep away demons.

HERMAPHRODITE SCULPTURE IN PROCESS

The artist's 'how-to' for making an Aphrodite sculpture by joining two torso's, male and female, using arte povera technique of cartapesta and plaster.

Series of summer watercolors done in-and-around Rome, Italy.

WOW Cross-Dressing Installation in Boston

Meret Oppenheim is supposed to have described her famous Objet (Le Déjeuner en Fourrure-1936 ), the fur-covered cup, saucer and spoon, as “the image of femininity imprinted in the minds of men and projected on to women.” Samantha Marder’s BENT ... Continue Reading →

Grandmothers

Public art monument in Boston celebrates Grandmother love.

Create a website or blog at WordPress.com

Up ↑

%d bloggers like this: