Who else could make a film about the role of money, schizophrenia and the individual's destruction and make it sexy, adult and stylish? Review of Elio Petri's 1965 Italian film The 10th Victim.
Lina Wertmuller's THE NYMPH relies on overcharged sexual visuals of Stefania Sandrelli's backside in this film about love, war, fate and virginity.
Review of The Way We Laughed unfolds the sacrificial tale of two brothers and won The Golden Lion, in Venice’s 1988 International Film Festival.
A complex story about a young Sicilian girl who transforms revenge into justice.
As a vehicle to test cinema and cultural IQs,IO SONO L'AMORE/ I AM LOVE will surely challenge every film buff
Unlike American films that uphold privilege, MY BROTHER IS AN ONLY CHILD explores politics, conflicts and terrorism within a Italian family and within the country itself.
Teorema, the only commercial film Pasolini made, exhibits "British-ness" in its style and stars and Italian sexuality.