“Vestal Virgin Vest #1” , cover art for INTERIM, a poetry and poetics journal, began as a plaster body cast made over a woman’s torso and from there went through a multi-layered process of becoming a 3-D sculpture that was flattened and then stitched .
In 230 AD Christian mysticism allowed women to choose celibacy and therefore free themselves from the evil, excessive, falling-apart-chaotic era of The Roman Empire; life became an either-or choice.
In 250AD the Emperor Decius decided starvation, lack of public morality, and war was not causing problems in Rome, rather the problems had arisen because the gods had abandoned Rome. Therefore, citizens needed to demonstrate their piety by sacrificing and animal.
While tracking down the thread of S. Vittoria, a Late Antiquity Roman saint, it helps to look at the historical and psychological aspects of the Vestal Virgins.
Time and Space disappear when following the trail of Late Antiquity woman, S. Vittoria.
Who else could make a film about the role of money, schizophrenia and the individual's destruction and make it sexy, adult and stylish? Review of Elio Petri's 1965 Italian film The 10th Victim.
ARACOELI: Review of 1982 novel, reissued by Open Letters. A disturbing look at memory, rejection and love.