Boston Artist Christine Palamidessi's "Laced Vest" demonstrates a deep affinity for the physicality of women.
I want inner peace. I want love. I wanted the experience of being a woman in Abaya; I choose to do it for 21 days. I wore the garment as an artistic experience. I am an artist. Here's what i found out....
Abaya can be a fashion garment and some women have 30 or more abayas in their closet. Wafaa explained that women like to show off their new clothes, no matter where they live. But in Saudi Arabia, when you go out of the house, it’s not realistic to think you will have opportunity to show off your new jeans and a blouse--but you can show off your new abaya.
I spent the afternoon in Ivy Leagued Harvard Square--mostly in the Harvard College quadrangle--hoping I might get smarter by osmosis, just by strolling among the elite, the gifted, and the buildings that house extraordinary collections of books, and visiting the Out of Town Newsstand.
Boston Artists Bo Petran and Christine Palamidessi discuss their upcoming show--Wabi-Sabi, Febraury 2019-- and the intent behind the Abaya project.
During the past 16 days many people have asked why I am not covering my hair when I am wearing the abaya and the veil. I thought it might be interesting to bring in an expert: the wonderful and lovely Saudi woman who is mentoring me during the abaya project.
Today I talked to Wililam DeLove, a homeless person. When I told him I was an artist experiencing 21 Days in the Abaya. He said, "I thought you were a nun."
Since today is the anniversary of the Saudi Arabia's royal decree allowing the government to issue drivers license to women, and I'm in Watkins Glen (car racing capital) , it is also a good day to pay tribute to a woman’s right to drive her own car; say what she needs to say; stand up for herself and her country.
A busload of Chinese tourists at a Massachusetts rest stop were trying so hard to buy chicken nuggets and hamburgers and I decided to help them out with pictures and sign language.
Not many people know much about Muslim women and their garments. Most of us think it is an ancient way to dress. In fact it is not. The outfit I am wearing, and the full black ‘cage’ is a new fashion in Middle East. Prior to the late 70s, early 80s women were not required to wear the body covering garment. They might wear head covering as simple as a scarf and dressed modestly. The change came when the religious fundamental cleric class made the laws regarding women’s clothing.
During my subway ride, a woman stared at me as if i were an insect. When I got up to leave she followed my movement out with her eyes and even turned around and looked at me through the window as the train pulled away, as if she wanted to be sure I was gone.
Today, at the subway station, had to deal with the logistics of wearing abaya--like how to keep hem clean, how not to get it caught in the elevator steps and how to hold onto the veil when its slip sliding off the head.
Our instincts push us towards the comfortable. And I think that seeking to be comfortable can be dangerous. I am an artist, and a good one. If I stayed in a comfort zone, I might be making a different kind of art, a polite art. That’s not my intention: there are enough people doing nice art. I’d rather provoke thinking rather than feeling.
You just can’t keep a girl away from her tools and her power of observation. It's really hitting home that people don’t pay much attention to what’s going on around them. I suppose this human condition is what criminals, terrorists, and cheaters count on: operating in the realm of other’s unawareness.
I went to an Open House for a $2.4 million Cambridge property near Harvard University. The back page of the 10-page brochure that the agents handed out to visitors featured a quote from T.S. Eliot “Home is Where One Starts From.” I wore my abaya.
When a woman in an Abaya is seen on the street with a man let’s assume everyone figures he is related to her and that the man is Muslim...and if he is Muslim, he is the person who has requested his wife, daughter, sister cover her body in public.
Boston artist Charlene Liska's video and photography are on exhibit at Silent. Silence. Silenced during the month of November; the sound of her voice casts strong shadows that challenge our questions about the future and what we might choose to make or take from the video screen.
The bombards, cast from bronze, hurled huge stone balls, weighing up to 1,500 pounds, several miles. After one shot, the barrel had to be cooled in oil to be fired again. The cooling process took over two hour and was frustratingly slow.
Meret Oppenheim is supposed to have described her famous Objet (Le Déjeuner en Fourrure-1936 ), the fur-covered cup, saucer and spoon, as “the image of femininity imprinted in the minds of men and projected on to women.” Samantha Marder’s BENT ... Continue Reading →
Marjorie Kaye’s sculptures reach out and in and up and beyond. The transcendent stacks of energy are constructed from pieces of plywood, which are cut into shapes with a jig saw, smoothed and then tinted with bold gouache color–or house... Continue Reading →
] Frances Jakubek, Associate Director of Griffin Museum of Photography, is taking a look at Christine Palamidessi's sculpture OMPHALE, QUEEN OF LYDIA.
