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artistic process

DAY 21 of 21 DAY EXPERIENCE OF WOMAN IN ABAYA

I want inner peace. I want love. I wanted the experience of being a woman in Abaya; I choose to do it for 21 days. I wore the garment as an artistic experience. I am an artist. Here's what i found out....

DAY 20 of 21 DAY EXPERIENCE OF WOMAN IN ABAYA

Abaya can be a fashion garment and some women have 30 or more abayas in their closet. Wafaa explained that women like to show off their new clothes, no matter where they live. But in Saudi Arabia, when you go out of the house, it’s not realistic to think you will have opportunity to show off your new jeans and a blouse--but you can show off your new abaya.

Day 19 of 21 Day Experience of Woman in Abaya

I spent the afternoon in Ivy Leagued Harvard Square--mostly in the Harvard College quadrangle--hoping I might get smarter by osmosis, just by strolling among the elite, the gifted, and the buildings that house extraordinary collections of books, and visiting the Out of Town Newsstand.

DAY 18 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

Boston Artists Bo Petran and Christine Palamidessi discuss their upcoming show--Wabi-Sabi, Febraury 2019-- and the intent behind the Abaya project.

Day16 of 21 Day Experience of Woman in Abaya

Today I talked to Wililam DeLove, a homeless person. When I told him I was an artist experiencing 21 Days in the Abaya.  He said, "I thought you were a nun."

Day 15 of 21 Day Experience in Abaya

The Indian statue at Sunrise Park on the Mohawk Trail greets the Great Spirit and reminds us:  Love. Love. Love. Other people. Your fate. Your obstacles. Love it all. Because it’s the only way.

Day 13 of 21 Day Experience in Abaya

DAY 12 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

Since today is the anniversary of the Saudi Arabia's royal decree allowing the government to issue drivers license to women, and I'm in Watkins Glen (car racing capital) , it is also a good day to  pay tribute to a woman’s right to drive her own car; say what she needs to say; stand up for herself and her country.

Day 11 of 21 Day Experience of Woman in Abaya

A busload of Chinese tourists at a Massachusetts rest stop were trying so hard to buy chicken nuggets and hamburgers and I decided to help them out with pictures and sign language.

Day 10 of 21 Day Experience of Woman in Abaya

Not many people know much about Muslim women and their garments. Most of us think it is an ancient way to dress. In fact it is not. The outfit I am wearing, and the full black ‘cage’ is a new fashion in Middle East. Prior to the late 70s, early 80s women were not required to wear the body covering garment. They might wear head covering as simple as a scarf and dressed modestly.  The change came when the religious fundamental cleric class made the laws regarding women’s clothing.

Day 9 of 21 Day Experience of Woman in Abaya

During my subway ride, a woman stared at me as if i were an insect. When I got up to leave she followed my movement out with her eyes and even turned around and looked at me through the window as the train pulled away, as if she wanted to be sure I was gone.

DAY 8 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA- Logistics

Today, at the subway station, had to deal with the logistics of wearing abaya--like how to keep hem clean, how not to get it caught in the elevator steps and how to hold onto the veil when its slip sliding off the head.

DAY 7 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

Our instincts push us towards the comfortable.  And I think that seeking to be comfortable can be dangerous. I am an artist, and a good one. If I stayed in a comfort zone, I might be making a different kind of art, a polite art. That’s not my intention: there are enough people doing nice art. I’d rather provoke thinking rather than feeling.

DAY 6 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

You just can’t keep a girl away from her tools and her power of observation. It's really hitting home that people don’t pay much attention to what’s going on around them. I suppose this human condition is what criminals, terrorists, and cheaters count on: operating in the realm of other’s unawareness.

DAY 5 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA

I went to an Open House for a $2.4 million Cambridge property near Harvard University. The back page of the 10-page brochure that the agents handed out to visitors featured a quote from T.S. Eliot “Home is Where One Starts From.” I wore my abaya.

DAY 4 OF 21 DAY EXPERIENCE OF WOMAN IN ABAYA.

When a woman in an Abaya is seen on the street with a man let’s assume everyone figures he is related to her and that the man is Muslim...and if he is Muslim, he is the person who has requested his wife, daughter, sister cover her body in public.

Day 2 of 21 Day Experience of Woman in Abaya

In the market On Day 2 Woman in Abaya the artist experienced that she was not invisible, that men noticed her as a human not as a sexual object, women looked sideways at her and that most people didn't look at all since they were involved with their cell phones.

Talking to Charlene Liska about Silence

Boston artist Charlene Liska's video and photography are on exhibit at Silent. Silence. Silenced during the month of November; the sound of her voice casts strong shadows that challenge our questions about the future and what we might choose to make or take from the video screen.

Senator Elizabeth Warren Rides the Chariot of Victory to Silence

Artist takes the reader through the steps in artistic process: going from Greek Goddess of Victory, which was an investigation of antiquity vs. modern life; to hearing news about the silencing of Senator Elizabeth Warren in the US Senate; to sewing Nike's lips shut; to dropping a black hood over the head of the goddess and exploring the silencing effect of a black hood.

about Otranto Cannonballs SILENT.SILENCE.SILENCED. Violence and Consequent Art

It was a conceptual idea that lead the artist to cast the cannonballs form the 1480 Ottoman siege of Otranto Castle: to embrace not only the texture of the cannonball but also to capture the essence of the weapon, the energy embedded within the material, and to transfer that energy into her sculptures

more ABOUT MAKING “STREET” LIGHTS FROM SIDEWALK PRINTS

After making plaster casts of the sidewalks with fascinating patterns; sidewalks where Nobel Prize winning scientists as well as science students marched and pondered,  I let the plaster  dry in the summer sun. Plaster cures as it dries and becomes stronger,... Continue Reading →

MAKING SIDEWALK CASTS IN CAMBRIDGE MASSACHUSETTS

Cambridge artist noticed the patterns in sidewalk near Harvard University Science Center and set out to make street art from them.

WRITER AS VISUAL ARTIST: MAKING THE SHIFT

I found I could say things with color and shapes that I couldn’t say any other way — things I had no words for.  ~Georgia O’Keeffe (” Pleasure Principle” pictured, Christine Palamidessi) Since I have been active in both the... Continue Reading →

WHEN IS A PIECE OF SCULPTURE DONE?

An artist never really finishes his work; he merely abandons it. ~Paul Valéry (French French poet, writer, philosopher. 1871-1945 ) In my gut I know when a sculpture is “done” and know that doing one more thing to it will either take... Continue Reading →

HARNESS FOR WEARABLE BREASTPLATE

Wearable breastplate ( also Yoga art continues in construction) and here we see harness specs for wearable breastplate.

Backside of Yoga Sculptures: an armature

Artist shows three-steps ( strengthen, preserve integrity, provide hook for hanging) on the backside of torso sculpture.

Palamidessi's Yogi project captures breath. here she pulls plaster torso out of mold of yoga teacher's torso.

Casting Yoga Teacher Torso

Yoga teacher is in state of deep relaxation as Palamidessi cast's her torso with intention of capturing movement of breath.

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